Este blog está morto. O The Pirate Bay (e seus congéneres) matou-o.
Viva o The Pirate Bay!

This blog is dead. The Pirate Bay (and lookalikes) killed it.
Long live The Pirate Bay!

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... continuavamo a chiamarlo Trinità [My Name is Trinity], Enzo Barboni
Anderson Tapes (The), Sidney Lumet (EUA)
Andromeda Strain (The), Robert Wise (USA)
Bananas, Woody Allen (USA)
Beguiled (The), Don Siegel (USA)
Big Doll House (The), Jack Hill (USA)
Big Jake, George Sherman (USA)
Ça n’Arrive Qu’Aux Autres [It Only Happens to Others], Nadine Trintignant (France/Italy)
Carnal Knowledge, Mike Nichols (USA)
Clockwork Orange (A), Stanley Kubrick (UK)
Decameron (Il) [The Decameron], Pier Paolo Pasolini (Italy)
Deux Anglaises et le Continent (Les) [Two English Girls], François Truffaut (France)
Diamonds Are Forever, Guy Hamilton (UK/USA)
Dirty Harry, Don Siegel (USA)
Duel, Steven Spielberg (USA)
Evel Knievel, Marvin J. Chomsky (USA)
Fata Morgana, Werner Herzog (RFA)
Fiddler on the Roof, Norman Jewison (USA)
Follie des Grandeurs (La), Gérard Oury [Louis de Funès] (France)
French Connection (The), William Friedkin (USA)
Get Carter, Mike Hodges (UK)
Giù la testa [Fistful of Dynamite (A) / Duck, You Sucker], Sergio Leone (Italy)
Grissom Gang (The), Robert Aldrich (USA)
Gunfight (A), Lamont Johnson (USA)
Harold and Maude, Hal Ashby (USA)
Hired Hand (The), Peter Fonda (USA)
Johnny Got His Gun, Dalton Trumbo (USA)
Juste Avant la Nuit [Just Before Nightfall], Claude Chabrol (France)
Klute, Alan J. Pakula (USA)
Last Picture Show (The), Peter Bogdanovich (USA)
Le Mans, Lee H. Katzin (USA)
Lèvres Rouges (Les), Harry Kümel (Belgium/France/RFA)
Macbeth, Roman Polanski (UK/USA)
McCabe and Mrs. Miller, Robert Altman (USA)
Minnie and Moskowitz, John Cassavetes (USA)
Morte a Venezia [Death in Venice], Luchino Visconti (Italy)
Omega Man (The), Boris Sagal (USA)
Panic in Needle Park (The), Jerry Schatzberg (USA)
Play Misty For Me, Clint Eastwood (USA)
Punishment Park, Peter Watkins (USA)
Raid on Rommel, Henry Hathaway (USA)
Sacco e Vanzetti, Giuliano Montaldo (Italy/France)

Shaft, Gordon Parks (USA)
Shura [Demons], Toshio Matsumoto (Japan)
Soleil Rouge [Red Sun], Terence Young (France/Italy/Spain)
Souffle au Coeur (Le) [Dearest Heart], Louis Malle (France)
Straw Dogs, Sam Peckinpah (UK/USA)
Sunday, Bloody Sunday, John Schlesinger (UK)
Sweet Sweetback's Baadasssss Song, Melvin Van Peebles (USA)
Tang Shan da Xiong [The Big Boss], Wei Lo (Hong Kong)
THX 1138, George Lucas (USA)
Trafic, Jacques Tati (Italy/France)
Two Lane Blacktop, Monte Hellmann (USA)
Vampyros Lesbos, Jesus Franco (Spain/RFA)
Vanishing Point, Richard C. Sarafian (USA)
Walkabout, Nicholas Roeg (UK)
Warnung vor einer heiligen Nutte [Beware of a Holy Whore], Rainer Werner Fassbinder (RFA)
Wat zien ik? [Diary of a Hooker / Business is Business], Paul Verhoeven (Netherlands)
Willy Wonka and the Chocolate Factory, Mel Stuart (USA)


$ (aka Dollars), Richard Brooks
Abominable Dr. Phibes (The), Robert Fuest
American Dreamer (The), Doc., co-directed by L.M. Kit Carson, Dennis Hopper
Amor Louco, Júlio Bressane (Brasil)
André, a Cara e a Coragem, Xavier de Oliveira (Brasil)
Äppelkriget [The Apple War], Tage Danielsson (Sweden)
Bateau sur l’Herbe (Le) [The Boat on the Grass], Gérard Brach (USA)
Bedknobs and Broomsticks [Se a Minha Cama Voasse], Robert Stevenson (UK)
Beröringen [The Touch], Ingmar Bergman (Sweden)
Bless the Beasts & Children, Stanley Kramer
Blind Terror, Richard Fleischer
Blindman, Ferdinando Baldi (Italy/USA)
Blondie’s Number One, Robert van Ackeren (RFA)
Blood and Lace, Philip S. Gilbert (Gloria Grahame)
Blue Movie, Wim Verstappen (Netherlands)
Born To Win, Ivan Passer
Boy Friend (The), Ken Russell
Casse (Le) [The Burglars], Henri Verneuil
Chagrin et la Pitié (Le) [The Sorrow and the Pity], Marcel Ophüls
Chandler, Paul Magwood (Gloria Grahame)
Chat (Le), Pierre Granier-Deferre (France)
Chinmoku [Silence], Masahiro Shinoda (Japan)
Classe Operaia Va In Paradiso (La) [The Working Class Goes to Heaven], Elio Petri (Italy)
Como Era Gostoso o Meu Francês, Nelson Pereira dos Santos (Brazil)
Confessione di un Comissario di Polizia al Procuratore della Repubblica [Confessions of a Police Captain], Damiano Damiani
Culpa (A), Domingos de Oliveira (Brazil)
Dash Akol, Masud Kimiai (Iran)
Dauriya [Dauria], Viktor Tregubovich
Deep End, Jerzy Skolimowski
Devassos (Os), Carlos Alberto de Souza Barros (Brazil)
Devils (The), Ken Russell
Doucement les basses [Easy Down There! / Take It Easy], Jacques Deray
Drive, He Said, Jack Nicholson
È Tornato Sabata… ai Chiuso Un’Altra Volta [Return of Sabata], Gianfranco Parolini (Italy/France/RFA)
Escape from the Planet of Apes, Don Taylor
Failing of Raymond (The), TV, Boris Sagal
Forsvundne fuldmaegtig (Den) [The Missing Clerk], Gert Fredholm
Fortune and Men’s Eyes, Harvey Hart (Canada/USA)
Frustration [The Chambermaid’s Dream], José Bénazéraf (France)
Gang That Couldn’t Shoot Straight (The), James Goldstone (USA)
Gatto a Nove Code (Il) [Cat o’ Nine Tails], Dario Argento
Ginger, Don Schain (USA)
Going Home, Herbert B. Leonard
Gumshoe, Stephen Frears (UK)
Happy Birthday, Wanda June, Mark Robson
Hirttämättömät, Vesa-Matti Loiri / Spede Pasanen
Hora e a Vez do Samba (A), Geraldo Affonso Miranda (Brasil)
Horsemen (The), John Frankenheimer
Hospital (The), Arthur Hiller
Hunting Party (The), Don Medford
I Miss Sonia Henie, Dusan Makavejev (Yugoslavia)
Il était une fois un flic [Flic Story / There Was Once a Cop], Georges Lautner
In Nome del Popolo Italiano [In the Name of the Italian People], Dino Risi (Italy)
Jardim de Espumas, Luiz Rosemberg Filho (Brazil)
Jo [The Gazebo], Jean Girault
Joe Hill, Bo Widerberg
Kholodno – Goryacho, Nicolai Rozantsev (URSS)
Kill!, Romain Gary
King Lear, Peter Brook
Kotch, Jack Lemmon
Krasnaya Palakta [The Red Tent], Mikheil Kalatozishvili
Laisse Aller, C’est Une Valse, Georges Lautner
Land des Schweigens und der Dunkelheit [Land of Silence and Darkness], Doc., Werner Herzog
Last Movie (The), Dennis Hopper
Last Run (The), Richard Fleischer
Last Valley (The), James Clavell
Last Year in Viet Nam, Doc., Oliver Stone (USA)
Lawman, Michael Winner
Liebe Ist Nur Ein Wort [Love Is Only a Word], Alfred Vohrer
Little Murders, Alan Arkin
London, Short, Orson Welles
Lua-de-Mel e Amendoim, Fernando de Barros e Pedro Carlos Rovai (Brazil)
Luar no Sertão, Oswaldo de Oliveira (Brazil)
Lucky Luke, René Goscinny
Maison Sous les Arbres (La), René Clément
Malastrana, Aldo Lado
Malpertuis, Harry Kümel
Mandara, Akio Jissoji (Japan)
Mãos Vazias, Luiz Carlos Lacerda (Brazil)
Mariés de L’an Deux (Les), Jean-Paul Rappeneau (France)
Mary, Queen of Scots, Charles Jarrott
Max et les Ferrailleurs [Max / Max and the Junkmen], Claude Sautet (France)
Melody, Waris Hussein
Mephisto Waltz (The), Paul Wendkos
Mira, Fons Rademakers (Belgium/Netherlands)
Moglie del Prete (La), Dino Risi (Italy)
Mon Oncle Antoine [My Uncle Antoine], Claude Jutra
Mr. Forbush and the Penguins, Arne Sucksdorff e Alfred Viola
Murphy’s War, Peter Yates
Necromania, Ed Wood
Nicholas and Alexandra, Franklin Schaffner
Nie Lubie Poniedzialku [I Hate Mondays], Tadeusz Chmielewski (Polónia)
Night Digger (The), Alastair Reid
Night Visitor (The), Lázló Benedek (Sweden)
Noch na 14-y Paralleli [The Night at 14th Parallel], Yulian Semyonov e Vladimir Shredel (URSS)
Noroi No Yakata: Chi o Sû Me [Bloodsucking Eyes / Lake of Dracula], Michio Yamamoto (Japan)
Ofitsery [Officers], Vladimir Rogovoy (URSS)
One More Train to Rob, Andrew V. McLaglen (USA)
Organization (The), Don Medford (USA)
Paixão na Praia, Alfredo Sternheim (Brasil)
Parwana, Jyoti Swaroop (India)
Pétroleuses (Les), Christian-Jacque (France)
Pink Narcissus, James Bidgood (USA)
Pioniere in Ingolstadt (TV) [Pioneers in Ingolstadt], Rainer Werner Fassbinder
Plaza Suite, Arthur Hiller
Please Sir!, Mark Stuart (UK)
Pretty Maids All in a Row, Roger Vadim (USA)
Proverka na Dorogakh [Checkpoint / Check-up On the Roads], Aleksei German (URSS)
Psychomania, Don Sharp
Quatre Nuits d’Un Rêveur [Four Nights of a Dreamer], Robert Bresson
Quelq’un Derrière la Porte [Someone Behind the Door], Nicholas Gessner (France)
Raging Moon (The), Bryan Forbes (UK)
Red Baron (The), Roger Corman
Red Sky at Morning, James Goldstone (USA)
Redada (La) [Barcelona Kill], José Antonio de la Loma (Spain)
Région Centrale (La), Michael Snow (Canada)
Rendez-vous à Bray, André Delvaux (France)
Rio das Mortes (TV) , Rainer Werner Fassbinder (RFA)
Rip-Off, Donald Shebib (Canada)
Road to Salina, Georges Lautner (France)
Roberto Carlos a 300 Quilómetros por Hora, Roberto Farias (Brazil)
Salamandre (La) [The Salamander], Alain Tanner
San Duk Bei Do [New One-Armed Swordsman], Cheh Chang (Hong Kong)
Sandpit Generals (The), Hall Bartlett (USA)
Sans Mobile Apparent, Philippe Labro (France)
São Bernardo, Leon Hirszman (Brazil)
Saut de L’Ange (Le) [Angel’s Leap / Cobra], Yves Boisset (France)
Secrets [Adultery], Philip Saville (UK)
See No Evil, Richard Fleischer (USA)
Seemabaddha [Company Limited], Satyajit Ray (India)
Seven Minutes (The), Russ Meyer (USA)
Shin Zatoichi: Yabure! Tojin-Ken [The Blind Swordsman Meets His Equal], Kimiyoshi Yasuda (Japan)
Sho o Suteyo Machi e Deyou [Throw Away Your Books], Shuji Terayama (Japan)
Sie Tötete in Ekstase [She Killed in Ecstasy], Jesus Franco (RFA)
Skin Game, Paul Bogart (USA)
Smic Smac Smoc, Claude Lelouch (France)
Some of My Best Friends Are, Mervyn Nelson (USA)
Sometimes a Great Notion, Paul Newman (USA)
Stariki-razboyniki, Eldar Ryazanov (URSS)
Stewardessen (Die) [The Swinging Stewardesses / Sweet Sensations], Erwin C. Dietrich (Swiss)
Such Good Friends, Otto Preminger (USA)
Summer of ’42, Robert Mulligan (USA)
Sur un Arbre Perché [Perched on a Tree], Serge Korber (France)
Szerelem [Love], Károly Makk (Hungary)
Taking Off, Milos Forman
Tandlaege pa Sengekanten [Bedside Dentist], John Hilbard (Denmark)
Telephone Book (The), Nelson Lyon (USA)
Teufel Kam Aus Asakava (Der) [The Devil Came From Akasava], Jesus Franco (RFA/Spain)
There’s Always Vanilla, George A. Romero (USA)
They Might Be Giants, Anthony Harvey
Ti Ekanes Ston Polemo, Thanassi? [What Did You Do In The War, Thanassi?], Dinos Katsouridis (Greece)
Todd Killings (The), Barry Shear (Gloria Grahame)
Tote aus der Themse (Die), Harald Philipp (RFA)
Trzecia Czesc Nocy [The Third Part of the Night], Andrzej Zulawski (Poland)
U Gori Raste Zelen Bor [The Pine Tree in the Mountain], Antun Vrdoljak (Yoguslavia)
Udienza (L’) [L’Audience / The Audience], Marco Ferreri (Italy/France)
Un peu de soleil dans l’eau froide [Few Hours of Sunlight (A) / Little Sun in Cold Water (A)], Jacques Deray (Italy/France)
Universal Soldier, Cy Endfield (UK)
Unman, Wittering and Zigo, John Mackenzie (UK)
Up Uranus!, Claudio Castravelli (Canada)
Utvandrarna [The Emigrants], Jan Troell (Sweden)
Valdez Is Coming, Edwin Sherin (USA)
Venga a Prendere il Caffè da Noi [Came Have Coffee With Us], Alberto Lattuada (Italy)
Veruschka, Franco Rubartelli (Italy)
Veuve Couderc (La) [The Widow Couderc], Pierre Granier-Deferre (France/Italy)
Villain, Michael Tuchner (UK)
Violence in Cinema, Short by George Miller (MAD MAX) spoofing the then hot topic of on screen violence.
Viva la Muerte [Long Live Death], Fernando Arrabal (France)
Viva la Muerte… Tua! [Don’t Turn the Other Cheek / Long Live Your Death], Duccio tessari (Spain/RFA/Italy)
W. R. – Misterije organizma, Dusan Makavejev (Yugoslavia/West Germany)
Wake in Fright, Ted Kotcheff (Australia/USA)
What’s the Matter With Helen?, Curtis Harrington (USA)
When Eight Bells Toll, Etienne Périer (UK)
Whity, Rainer Werner Fassbinder (RFA)
Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me?, Ulu Grosbard (USA)
Who Killed Mary What’s ‘Er Name?, Ernest Pintoff (USA)
Why? (Hvorfor gør de det? Denmark), Documentary by sexologists Phyllis and Eberhard Kronhausen.
Wie Ich ein Neger Wurde [How I Became a Negro], Roland Gall (RFA)
Wild Riders, Richard Kanter (USA)
Wild Rovers, Blake Edwards (USA)
Willard, Daniel Mann (USA)
Women In Revolt, Paul Morrissey (USA)
X312 – Flug zur Hölle [X312 – Flight to Hell], Jesus Franco (Spain/RFA)
Ying Zi Shen Bian [The Shadow Whip], Wei Lo (Hong Kong)
You’ve Got to Walk It Like You Talk It Or You’ll Lose That Beat, Peter Locke.
Zachariah, George Englund (USA)
Zhan Shi Yan Dao [The Venus Tear Diamond], Umeji Inoue (Hong Kong)